Camile Baudoin..of the Radiators  guitarstringlines.gif (769 bytes)

 

The Back Porch Rockers Get Rave Reviews......


Playboy, May 2000

by Charles M. Young

Minnesota blues legends Dave Ray and Tony Glover have formed an alliance with Reggie Scanlan and Camile Baudoin of the Radiators.  Now they're calling themselves the Back Porch Rockers.  The foursome's album, By the Water (Back Porch Rockers) approaches acoustic blues with low-down, sensual and melodic tunes.   Although they play without any drums, the natural percussive aspect of the guitars and the bass makes the music undulate, while Ray's warm warble of experience offers solace for whatever crisis you happen to be facing.  Especially recommended:  Everybody's Going for the Money.

OFFBEAT - New Orleans' Music Magazine - January, 2000
Back Porch Rockers  -  By the Water

(Independent)

South meets north! Legendary New Orleans musicians Camile Baudoin and Reggie Scanlan (of the Radiators) team up with Twin Cities blues giants Dave "Snaker" Ray and Tony "Little Sun" Glover (the "bluer" two thirds of Koerner,Ray & Glover) for a live acoustic blues record that gives you the chills it’s so good. Here, the Rockers recorded tunes from both ends of the bprsmallangle.gif (15352 bytes)Mississippi, like "Everybody’s Going for the Money," by John Koerner, and the title track, written in part by New Orleans’ master Dave Bartholomew. Also included are blues-laden versions of old favorites like "Cry to Me" and "Mississippi Kid."
Highlights are unnamable since the whole of the record is a gem, dripping with Ray’s chilling vocals, Glover’s intense harp work, and Baudoin’s guitar licks, pulled together by Scanlan’s bass. The conglomerate comes out just like you think it should from these genius veterans–easy.

By the Water was recorded live in Minnesota in April, 1998 at a private afternoon party and a gig at St. Paul’s Turf Club later that same evening, yet, judging from the quality of the music, you’d think it was a well-rehearsed long-term project.

The hallmark of a great artist is not only the beauty of what he shows his public, but also the ease with which he does it. Nothing on this record sounds practiced, and no one seems to try all that hard, but somehow the final product is just perfect. An audience recording complete with background chatter, you put this record in your player, and out comes the uncut sound of a good old time. It is a rare treat to hear Baudoin and Scanlan lay back from Rads-style rock’n’roll drive and join Ray and Glover in making music that you play on your back porch, by the water, with a few cold beers and the right company.

–Cristina Diettinger

 

BLUES ON STAGE (mnblues.com - our thanks to Ray Stiles)

Live Review
The Back Porch Rockers  (CD Release Party)
Dave Ray, Tony Glover, Reggie Scanlan,Camile Baudoin
The Turf Club, St. Paul, February 20, 2000
by Dick Houff

Several days before the gig, I had a gut feeling that this would be no ordinary show. With Dave Ray, Tony Glover, and The Radiators very own Camile Baudoin and Reggie Scanlon, how could a show of this magnitude be anything less than extraordinary. In my heart, I'd have to call it historic. The Turf was packed to capacity, and by the end of the night every CD (By The Water) had sold out! Dave started the first set with his infamous 12 string picking followed by Tony's harp, Camile Baudoin on guitar, and Reggie on bass. When Dave opted for electric and plugged-in, all hell broke loose! The frenzy and totally in-sync phrasings between Camile and Ray were mesmerizing. Baudoin's attack was riff with countless hammer-on and pulls using his index finger to get a double-string slide effect-he would also back pedal using the same method! Ray was glowing and the karma was in evidence between these two warriors as Dave answered the attack with his own blistering chops. Tony's harp was up front and in your face, and when he took command; both Ray and Camile stepped back. Reggie Scanlon has got to be one of the finer base players that I've seen in quite some time-brilliant beyond words and right on top of the action; minus a drummer, I might add. Too many times, I walk away from shows that have a commercial polish to them. Without mentioning names or causing ill feelings, I'll refrain from trashing-that's not my style. The same with records: when they all start sounding alike, then you know a change needs to be addressed. Listening to this band was a refreshing move from the above. Original and relentless right to the end; total heart and soul to the max. When a band gets three standing ovations and the crowd wants a fourth!-then and only then, can you say:
"This is the real deal!"

It's only Rock & Roll

Wednesday, December 29, 1999

By JOHN SWENSON  - - - -  United Press International

The blues runs through the history of 20th century American music just as the tributaries of thesmallchair.gif (1576 bytes)
Mississippi River system feed the massive delta at its mouth.

No aspect of musical life, from the classical inspirations of Gershwin to the latest hip-hop sampler, is uninformed by blues structure, emotion or style. Rock and roll and soul music simply would not exist without it.

More than anything, blues is folk music. In the 1950s and 1960s blues players who had been
retired for a generation suddenly found their careers revived in the coffee houses and folk clubs of
American cities gripped by the folk revival. In the mid-1960s a trio of young white blues players,
Korner, Ray and Glover, became a sensation on the international folk scene with vibrant
performances at the Newport and Philadelphia folk festivals and a groundbreaking album, "Blues,
Rags & Hollers," that drew critical raves and influenced an entire generation of players.

"Blues, Rags & Hollers" was followed by four other albums that impacted a wide range of popular artists, from John Lennon to The Doors and Bonnie Raitt, whose first album was produced by Ray.

Happily, vocalist/guitarist Dave "Snaker" Ray and mouth harp wizard Tony "Little Sun" Glover are still at it. The Minneapolis-based duo joined forces with guitarist Camile Baudoin and bassist Reggie Scanlan, members of New Orleans' greatest roots rock group, the Radiators, to make the terrific live acoustic recording "By the Water" under the name of the Back Porch Rockers.

As members of the Radiators for the past 21 years, Baudoin and Scanlan have been spinning a distinctly New Orleans vibe on everything from Jelly Roll Morton, Robert Johnson and Howlin' Wolf to Ray Charles, Bob Dylan and the Rolling Stones.

The Radiators' sound, a deep blues groove that leaves plenty of room for jamming to its undulating rhythms, is so unique that a term was invented to describe it, "fishhead music."


Ray's vocals have the self-assured, sleek soul of the great blues singers of history, qualities that have only deepened and distilled with age. Where the younger Ray may have pushed the rhythms more frantically, he now measures each line like a master fisherman casting patiently for the greatest effect.

Glover's harmonica accompaniment, alternately carefree and light in single-note runs and tortured with smears, howls and choked notes, is perfectly attuned to the nuances of Ray's vocals.

The guitar interplay between Ray and Baudoin is dazzling without ever sounding overstated, in such service to the song as to be translucent. Rhythmic fills and accents play off each other in syncopated delight, then suddenly a solo erupts out of the mix.

Meanwhile, Scanlan is holding down the center while at the same time offering interlacing harmonic runs and dancing like a weaver's shuttle through the stringed dialogue.

The selection of material is inspired, running the gamut of blues emotion from the delta laments of John Lee Williamson, Muddy Waters and Howlin' Wolf to the moaning wail of the Memphis Slim classic "Mother Earth," the modern blues style of Fenton Robinson's magnificent "Somebody Loan Me a Dime" and the New Orleans twist gleaned from Professor Longhair and Dave Bartholomew. Perhaps the most brilliant inclusion is a cover of Lynyrd Skynyrd's "Mississippi Kid," which crackles with blues authenticity in this stirring acoustic version.

The group's name makes ironic reference to the 50-something age of the participants, but these guys can rock out fiercely without having to turn it up.

Copyright 1999 by United Press International
All rights reserved.

tiny chair.gif (362 bytes)Click on the chair to order the Back Porch Rockers' CD "By the Water"