AJC Monday July 7, 1969 10A

Pop's The Thing Despite Heat at Hampton

By Paul Beeman.


 

HAMPTON, Ga.-

The blond boy in the Ben Franklin glasses did a sort of buck dance as the Canned Heat played a boogie.  He'd began at it for more than an hour tirelessly Ð his shirt tied around his waist giving -him the tribal appearance he probably sought.

 

His friend beside him had long curls and was similarly dressed. On a downbeat the curly headed youth stretched his arms to tomorrowÕs sun and dropped to his knees in a frenzied shiver.

No one in the darkened infield at Atlanta International  Raceway, the scene of the Atlanta International Pop Festival Friday and Saturday, paid any attention to either boy.

 

All were having their own scene. Digging themselves.

The festival was a success.

 

The promoters poor-mouthed the financial situation but the size of the audience, an estimated 130,000 for the two days, indicated otherwise.

 

 And it was successful from a general standpoint.

 

The crowd was orderly. attentive, responsive. No major outbreaks, no rioting, no mass arrests.

 

And the Music for those who appreciate modern pop music modern pop music, was exceptional. The sound was good and the performers gave their best.

 

Some drank alcohol-beer, wine - others abstained or played with marijuana and drugs.

 

ÒWhat are you drinking? Can I have some?Ó a youth with shoulder length hair asked a spectator.

 

"It's a screwdriver. Vodka and orange juice. Help yourself.Ó

 

ÒNo man, no alcohol Just lemme have some of your ice.Ó

The promoters were critical of mention of drugs in earlier news reports. Someone in the headquarters trailer underlined drug words in a news story.

 

Just then a boy 14 entered the mobile office. "Can

 

I use the phone? It's an emergency."

 

"What's the matter?"

 

"My friend.. My best friend, He's freaked out. I want to call my mom to come get us"

 

"What happened to him?"

 

Too much dope and beer"

 

"How old is he?"

 

"He's 15."

 

The complaints of sensationalizing the drug angle stopped for a time.

 

A father used the festival as an object lesson for his son, a boy with a crewcut of  about 13. They stood at the window of the first aid trailer as shots were administered to a homely red-headed girl who apparently was on a "bummer," (bad trip).

 

THE ORDERLINESS of the crowd, despite minor problems and temperatures that pushed 100 both days, was amazing.

The crowd sat patiently during three power failures the first night. "If that had happened anywhere west of the Mississippi the place would have been torn to the ground," one of the promoters said in referring to the delays.

 

When the heat soared the masses sought the comfort of fire hoses instead of complaining. Thousands skittered about begging for more as firemen showered them with welcome water.

 

Despite the body odors of thousands of tightly packed music fans, despite the knee-deep watermelon rinds and beer cans, they behaved.

 

The masterminds, too, did their thing to maintain order. Private police were used. No one would confirm the reason why civil police forces were asked to stay outside the gates, but it seemed likely a single narcotics bust could rail to a major disruption

 

AT 10 P.M. a runner reported that 1 1,000 persons were outside the main gate screaming to be let in.

 

ÒLet Ôem in,Ó one of the bosses said.

 

ÒWe got. four or five more hours of concert left. You gonna give it to them free,Ó another of the festival brass argued.

 

"We don't want trouble. Let' em in," the first said, winning the argument.

Backstage was a minor disagreement about the performance schedule. Apparently managers for Janis Joplin and the Blood, Sweat and Tears both wanted their group to go on some place other than last. A compromise was reached among the two stellar attractions as Joe Cocker and the Grease Band was slated for the final spot. The bass player with Cocker's group got wind of the change and stormed the main trailer seeking confirmation. "ItÕs not fair. They'll leave after Joplin The top attraction oughta go last,' the musician said a a very British accent. The foul-mouthed, booming, revoiced Miss Joplin finished and half got up to leave.

 

Cocker came on with a bellowing voice that brought goose humps and gave one of the outstanding performance of the festival. For MANY, if they heard him at all, it was with their backs to the stage as they left the infield homeward bound.

 

It was a shame... . The bass player was right.