how that what seems monumental at a distance flattens up close a world is sometimes turning a dial to watch France Notre-Dame: the climber, who says in his interview he learned the trick from squirrels not mice, as was commonly believed that he spent years perfecting it training his eye up railings and balustrades across windows, statues once, the brick over a lover's shoulder anything vertical corps laid perpendicular he goes on that they'll edit this after the arrest how that part where he raved about paintings he admired the top looked odd to him like bells smothering a church was awkward even to his ears


Sway Sit with me; we'll watch the sun set— it's solemn when we notice, beautiful, yes, beautiful. I know it sets and that suggests something; I know it has a falling look. Every day it goes down, every day over the last house into the smog. And true, light's dirty. But breathe ahead, tiptoe back on the boards and chatter. Sit, listen— I made it so you'd have a seat here this afternoon. Any afternoon. No swing but my Grandmother's porch. We lived in her house three years while she was gone. Each day about five Mother'd step on the porch, hold the screen-door close, settle on one end nearest the roses. Tell me you think of light. Please. The swing's a figure but we figure more. What shines chains, gauges clinking, dulls seats? A swing's one moment, a constellation. There are others: windowed sunlight, kids in the yard playing, the neighbor's yard… Here: Let's stroll to the church. Behind the cemetery there are swings on the playground still. Let's find one, push each other, get sweaty, soar over the fence, make the metal bars shift and the chain-links ping then let go: disappear… Time's nothing but us— the constant of our shoes flickering till there's only light. If you sigh I just hope it's enough to sit in, be still, everything.


Logsplitting 1. I was 13 or 12 when they first let me help. Previous Sundays I'd gather the split pieces and toss them over Papa's tailgate; this time I helped with the splitting. The splitter was run off a red tractor. I remember it was hard to start. Riding with Papa, I'd pretend I was plowing. The splitter—it was pointed like a pencil—bit a little hole first then the spiral grooves gripped and ate into one log after another. Your hands had to be far apart, wrapped around each end of each log. You had to press with some weight and hold firm or twisting would occur. And sometimes your wrist got chewed; a glove's edge got slippery from sweat and rolled down the hand. And your forearms got raw from carrying the pieces. 2. Mama seemed always beautiful. Hair stick-straight. Brown. Then everything was— the hill, the pavement, mud that shook loose from our bikes to fall on the patio, rust. No one discovered me at seven; no gangbangers lurked. The creek stank but the worst that happened to big kids was your Dad leaving, your Grandmother forgetting to feed herself… a slow decade—not much missed. She said if we minded we'd have suckers after the service. 3. My lover lives in England. I'll probably never see her. Yes, I killed a deer at 15. No, it's unlikely I'll ever love you. "Betrayal's not a mental category," I say to my daughter this afternoon. I'll kiss her in a minute, try to explain these broken crayons.


Modern Language My father left me his best lines. I keep them in a box with his father's and his father's father's. They are all here. One is on a blue slip, one is pink. One is a pink carnation also a check-register in vinyl, a bicentennial quarter and of course, photographs… Here is a woman like you: "There is no fear of the grave today. I love you, I love you, no one sees…" I love you, take your clothes off


the room where you sit and think about it Day's up and on the shelf. Books too. Now night, revision of the one-act. One-room cabin in the woods that so-and-so builds, patient, over a long growing season. You say Who are you? now with doors open, wind rising, stalks not even waving. Can't recognize a face; footsteps off the porch change, twist so even the weeds get restless. Now it's not raining, because you have to worry about that nightgown. Swimming in the creek? as prelude to Here, lets help with those wet things. Come, catch death. You clear the table so it slides easy down-wall, under the window.


When It Rains... Short lines at the mall tonight, low voter turnout; threats of a storm check all but the staunchest. Survivors get candles, get books; brew strong, mail-order coffee; take the radio down and tune to this station— no, this one— hope the batteries are still good. This might be awhile.